One of the best things about using music technology is that when children are taking part in this style of musical learning, it is an interactive and immersive experience. How rhythmic patterns can be written in a simple grid.The difference between on‐and off‐beat rhythms.The difference between different time signatures.Using this area of the website provides the opportunity to learn multiple skills at the same time including: This experiment still uses graphic symbols, but in a more structured way on a grid with options of writing in different time signatures (unlike the more free-form Kandinsky). A great example of this is when children sequence their own rhythmic patterns using the experiment Rhythm. Chrome Music LabĪs children go through school, music technology skills, as well as compositional skills, can be built upon side by side using Chrome Music Lab. You could even print out the graphic scores and perform them away from visual prompts on screen to further their notation reading skills. Once this has been done, the children have to play their given sound when they see their symbol come to life on the screen. You could extend this activity by assigning the shapes that children have drawn to a specific percussion instrument. The magical experience in the classroom every time is seeing children's faces light up when they recreate their drawing on the screen and see what their piece of music sounds like. This naturally leads into starting to compose their own graphic scores by thinking about how they could order the shapes into a sequence or pattern by drawing their own choice of three or four shapes on a piece of paper. ![]() They can then listen to the sounds that these shapes make and try to describe them, introducing them to the concept of timbre. This section of the website allows users to draw shapes on a blank canvas which then automatically transform into animated sounds.Ĭhildren can start composing in seconds by drawing different shapes using an interactive white board, tablet, or laptop. Kandinsky (a musical experiment based on the artist of the same name), can be used to aid the teaching of graphic score composition. Three of these ‘experiments’ – Kandinsky, Rhythm and Song Maker – lend themselves well to helping children to compose their own pieces of music across multiple year groups. One website I use regularly, which is both free and expansive in terms of content, is Chrome Music Lab, which, as the website explains, ‘makes learning music more accessible through fun, hands-on experiments’. There are many free and easy-to-use websites out there, often at the other end of a simple Google search. Finally, sharing their compositions is incredibly easy – which I love as a teacher.įor additional ideas on utilizing other experiments in the Chrome music lab, check out this article by Midnight Music.Using music technology for composition does not need to be an expensive or specialist practice to be an effective part of the primary music classroom. ![]() The web-based software allows students to work in both online and in-person settings. Students can work alone or in small groups. Each instrument choice has a low and high pitch.Ĥ – Tempo – Set the range from 40 – 240 beatsĥ – Mic– Sing notes into Song Maker using your computer’s microphoneĦ – Settings– Modify several more elements in your composition. See detailed menu belowĨ – Save – Four options to save your composition.ġ- Length (Number of Measures) Create a piece that is as short as two measures or as long as 16 measures.Ģ- Beats Per Bar (Time Signature) Create a piece that has as few as two beats per measure or as many as seven beats per measureģ – Split Beats Into (Sub-division of each beat)ĥ – Key (sets the pitch range & the first pitch)Ĭhrome Music Lab = Endless Possibilities!Īs you can see, the possibilities for student composition are endless with Song Maker. Here is the cheat sheet I developed to help you: Main Page Functions:Ģ – Melody Instrument Choices – Change the sound of your melodic compositionģ – Rhythmic Accompaniment Instrument Choices – Add up to two accompanying percussion lines.
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